Flashflooder’s Top 100 Music Releases of 2012

top100albums_2012

It’s again time to reflect on my favorite musical releases from the past year. Now that 2012 is fully over and done with I’ve now had a few moments to digest all of the enjoyable things I listened to last year and put them in some sort of loosely ordered list (the list has been changing almost every day so don’t pay too much importance to order).

Unlike most other blogs and publications, I like to wait until the following year to consider and consume all the sounds that the prior year had to offer (in this case there were plenty of good ones). In addition this gives my brain some breathing room from catching up on listening to lots of albums in December that I slept on when they were released earlier in the year. I know I’m always going to miss a fair amount of good releases per year (no one can really listen to and be expected to enjoy everything) but I think this year especially I gave it a pretty valiant effort across a wide array of genres and styles. Hopefully you discover a couple new artists and albums that you enjoy or at least find intriguing as a result of this list.

On that note, I’ll never forget the moments of reading about Manitoba’s (now known as Caribou) Up In Flames as being some random guy on the internet’s #1 album of the year in 2003 (on his geocities page or something) or reading about (and then listening to the weird sounds of) Animal Collective’s critically acclaimed Sung Tongs in 2004 and having both literally change my life in terms of the way I listened to and perceived music. I realized a long while back that the discovery of new music was the best part of reading these year end lists and so I started making my own, mainly for the personal fun of making those decisions but also in hopes that someone else might read this and discover something that becomes their new favorite; because to me, there is no better feeling than hearing something you love for the first time ever. It’s a high unlike any other.

Now if you’re wondering what the process I undertake to make a list like this (maybe so you can make your own next year), I simply have a spreadsheet that I keep generally open on my main computer in which I list any albums I’ve listened to from that year and put them in a general order of my liking (after having listened to each once all the way through). Eventually as time goes on, the list gets longer and longer and forces you to try to compare various albums to each other for a relative ranking of which is better and before you know it, the end of the year will be here and you’ll have your own best albums list! To be honest, it’s a really fun activivty and if you work on it early enough in the year you can honestly see how your thoughts compare to other supposed music critics (it’s hard not be a little influenced if you start working on your list in December after already having read a bunch of other lists). A couple other caveats of this are that I do consider self released material, mixtapes, and EPs (as long as they are generally three or four solidly lengthed tracks). Since it is a yearly list I will also combine multiple EP releases for artists as some genres are more suitable to releasing albums and in others getting a few EP releases a year is more the norm.

And again, these picks are all a bit subjective to my taste so don’t take me too literally, all of the albums are good and should be taken as recommendations. However, for a comprehensive post of all the various critic’s best albums lists look to none other than Metacritic for their 2012 Music Critics Top 10 Lists collection. There’s a lot of quality in there, especially since they generally link to each actual article/post which often feature more than just ten albums in their list. And what better why to find some new good music real fast? I’m like a kid in a candy store these days with critic music lists, fast internet, and some online hookups. Anyways, enough of the this and that, onto the list…

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Deadmau5 Rants on “Live” EDM Shows. Reactions from Skrillex & Laidback Luke

Outspoken popular electronic artist Deadmau5 just took to his tumblr to post a little rant on some frustration he’s been having lately with the state of EDM and the concept of DJ’s and producers promoting that they are playing a “live” show. To be honest, I mostly agree with him and this main concept is something that has really been bothering me about popular EDM acts these days. But i’ll leave it to Joel to rant about it.

In the aftermath of his tumblr rant I also found some interesting twitter reactions (from Skrillex, Laidback Luke, and fans) that I’ve posted below for your viewing pleasure.

In other news, Deadmau5 also just graced the cover of Rolling Stone and had an equally outspoken article in it (again) discussing his thoughts on other popular DJs, Madonna, and the EDM scene in general.

Check it out here On the Cover: The Rise of Deadmau5

Lastly, if after all of that you still want more to chew on in regards to this “live” EDM general concept/debate,  then you should check out  a solid article that DJ Techtools posted last week on a similar theme called: The Age of the EDM Rockstar

Flashflooder’s Top 50 Albums of 2010

I’ve been annually making a “Best of” albums list since my college days (thanks to KALX) in order to document the albums I personally find most interesting during the year, while also conveniently creating a future reference point for all of the moments and memories associated with that music and time of my life (and for me, those often go hand in hand). Add in the fact that I like making lists of this sort, and it’s fun to put a little competition into my favorite hobby (listening to music).

This past year I made an effort to keep track of my favorite albums starting in January by creating a spreadsheet where I inputted pretty much every new album I listened to (all the way through) in rough order of liking, which allowed me to  freely move albums around as they grew on me or in some cases, got tiring and lost their pizazz.

Nonetheless, (regardless how hard I try) I’ve found that whenever I try to put this list together at the end of the year there’s always a ton of music to catch up on; and as a result, it’s hard to put in perspective the overall impact of an album upon its first few listens, and even more difficult to evaluate the lasting value of an album upon continued listens.

To be completely honest, despite my year-long spreadsheet efforts, I have still been doing a fair amount of December/January music cramming by trying to give every album that’s garnered any critical acclaim at least one solid listen through. And even though I try my best to be objective, there is no denying that personal taste plays a big factor in my album picks.

This list is by no means definitive, and proof of that is the fact that I’ve moved albums around every day I’ve opened up this list in the past two to three months. So basically, they’re all worth listening to and I’ll let you figure out the rest. With that said, if you’re interested in reading what other critics thought about 2010, go and check out Metacritic’s comprehensive summary of various end of year lists.

So after many months of deliberation, what follows are my picks for the top 50 albums of 2010 with download links this year(please note that I did not upload any of the albums, so the the links are subject to being removed or taken down). All in all, I just hope you find some new music to enjoy!

50. Lindstrom & Christabelle – Real Life Is No Cool [Smalltown Supersound]

49. Bag Raiders – Bag Raiders [Modular Records]

48. Spoon – Transference [Merge]

47. Ariel Pink’s Haunted Graffiti – Before Today [4AD]

46. Oneohtrix Point Never – Returnal [Editions Mego]

45. Wolf Parade – Expo 86 [Sub Pop]

44. Besnard Lakes – The Besnard Lakes Are The Roaring Night [Jagjaguwar]

43. Avey Tare – Down There [Paw Tracks]

42. James Blackshaw – All is Falling [Young God]

41. Emeralds – Does It Look Like I’m Here [Editions Mego]

40. The Chemical Brothers – Further [Virgin/Freestyle Dust]

39. Walls – Walls [Kompakt]

38. Gorillaz – Plastic Beach [Virgin]

37. Surfer Blood – Astro Coast [Kanine]

36. Grum – Heartbeats [Heartbeats]

35. Skrillex – Scary Monsters and Nice Sprites [Mau5trap]

34. Deadmau5 – 4×4=12 [Virgin/Mau5trap Recordings]

33. Swedish House Mafia – Until One [Virgin]

32. Tame Impala – Innerspeaker [Modular]

31. Broken Social Scene – Forgiveness Rock Record [Arts & Crafts]

30. Crystal Castles – Crystal Castles [Fiction/Last Gang]

29. Teengirl Fantasy – 7AM [True Panther Sounds]

28. Delorean – Subiza [True Panther]

27. The Black Keys – Brothers [Nonesuch]

26. Miami Horror – Illumination [EMI]

25. Actress – Splazsh [Honest Jon’s Records]

24. Booka Shade – More! [Get Physical]

23. Broken Bells – Broken Bells [Columbia]

22. The National – High Violet [4AD]

21. Lower Dens – Twin-Hand Movement [Gnomonsong]

20. Wavves – King of the Beach [Fat Possum]

19. James Blake – CMYK EP/Klavierwerke EP/The Bells Sketch EP [R&S]

18. Pantha Du Prince – Black Noise [Rough Trade]

17. Bonobo – Black Sands [Ninjatune]

16. Sufjan Stevens – The Age of Adz / All Delighted People EP [Asthmatic Kitty]

15. Deerhunter – Halcyon Digest [4AD]

14. Best Coast – Crazy For You [Mexican Summer]

13. LCD Soundsystem – This Is Happening [DFA]

12. Arcade Fire – The Suburbs [Merge]

11. Gold Panda – Lucky Shiner [Ghostly Intl]

10. Women – Public Strain [Jagjaguwar]

9. Mount Kimbie – Crooks & Lovers [Hotflush]

8. Toro Y Moi – Causers Of This [Carpark]

7. Caribou – Swim [Merge]

6. Joanna Newsom – Have One On Me [Drag City]

5. Wild Nothing – Gemini [Captured Tracks]

4. Kanye West – My Beautiful Dark Twisted Fantasy [Def Jam/Roc-A-Fella]

3. Flying Lotus – Cosmogramma/Pattern + Grid World EP [Warp]

2. Four Tet – There Is Love In You [Domino]

1. Beach House – Teen Dream [Sub Pop]

My DJ Techtools Article “DJ Booths Are Getting Crazy!”

Sorry for being so m.i.a. to this blog lately (and no, i’m not referencing her) but times have been pretty busy having just recently moved to San Francisco while keeping hard at work with the personal and professional projects I’ve got going right now (which will hopefully amount to some cool stuff to talk about here later).

Along those lines, I wrote an article recently for DJ Techtools showcasing some of the more interesting DJ booths being used in live setting these days from an entertainment aspect. It showcases the likes of DJ Shadow and his ridiculous Shadow Sphere,  Deadmau5, Etienne De Crecy, and Vitalic’s V-Mirror show.

And seriously, if any of these guys come through your town, go support them, whoever made their crazy light devices, and above all else,  just have yourself a good time. By the way, I recently found an even better video of the Shadowsphere in action that actually has somewhat decent audio (unlike most others) so check that out for a short glimpse into his epic current live show.

Check out my recent DJ Techtools article “DJ Booths Are Getting Crazy!” here

Deadmau5: Behind The Mask

I recently stumbled across a pretty interesting short video series called “Deadmau5: Behind The Mask” detailing the man (aka Mr. Joel Zimmerman)’s large mouse head and some of the visual aspects of his current Deadmau5 live show, including his brand new (and pretty damn cool) light cheese head stage screen device (or whatever you call it). All I know is that I want to see it do its thing live, especially after missing out on it at its Coachella debut to catch Jay-Z.

Check out the three part “Deadmau5: Behind The Mask” series  by Zane Lowe below.

Oh, and Deadmau5, I got you an easy answer as for how to top your light show rig for the next big thing. Take this “Spinning RGB LED Ball” in the video below as your example. It is possibly the coolest machine light show device you will ever see (that inevitably was created by some genius rave engineer). All you got to do is take that and scale it up ten times. Done and done.

And while I’m here I might as well throw in Deadmau5′ new song “Some Chords”. If you haven’t heard it, it’s worth at least a listen.

Steve Aoki – Live DJ Set in Berkeley, CA (10/28/09)

Steve Aoki Live 1

Steve Aoki played a free live show on UC Berkeley’s Lower Sproul (put on by UCB’s Superb) this past Wednesday, October 28 to a young and excited crowd that was surprisingly ready to dance/party/jump around/rave (or whatever you want to call it) regardless of the fact that the show began at 5pm outside on a sunny day and ended a little less than 2 hrs later just as the night was beginning to arrive. His DJ set ran through a variety of fan favorites beginning and more or less ending with his recent collaboration song with The Bloody Beetroots “Warp 1.9” (you know, the “One Two Woot! Woot!”). I guess if people really like a song that much, you might as well play it twice, right? Or is that kinda lame? Hmm…either way, the crowd seemed to enjoy it through and through.

Steve Aoki Live 2

Mr. Aoki is definitely well liked by his fair share of dedicated fans, and very early on it was obvious that he likes playing to the crowd just as much. Granted, Aoki is a decent DJ but he’s not going to wow you with slick transitions or interludes, odd electronic or sampled sounds you’ve never heard before, or a lot of original production. Aoki’s forte lies in bumping well known/popular dance songs (ranging from Daft Punk, Justice, The Bloody Beetroots, Deadmau5, Kid Cudi, Nirvana, Bloc Party, the Yeah Yeah Yeahs and even the techno ballad Sandstorm, to name a few from memory), amping up the crowd (full with stage diving and all), and looking like he’s having a great time all the while in hope that it rubs off on everyone else. And to be honest, it’s hard to say that the enthusiasm shared by him and his fans isn’t highly contagious. Within no time, you’ll find yourself bobbing your head and moving your body before even thinking much of it. It’s almost as if you’re just blending in. But that’s ok. A Steve Aoki show is not about expanding your musical horizons, it’s about having fun.

Check out a few short videos I took, giving you a taste of what Steve Aoki is like live….A little dancing, a little crowd surfing, and a bit of Daft Punk never hurts either.

Aoki playing a bit of Deadmau5’s “Ghosts N Stuff”

Aoki closing out the set with The Bloody Beetroots “Warp 1.9”